The Crocodile

It struck me as strange that the author of Notes from Underground would next write "The Crocodile," an allegorical, theater-of-the-absurd type story to have been published in D's dying periodical Epoch.  After all, Notes from Underground was an innovative exercise in narrative technique, with all sorts of interestingly problematic aspects.  "The Crocodile", by contrast, is … Continue reading The Crocodile

Some Firsts

Some absent-minded link-hopping on Wikipedia last night led me to some interesting first human achievements in photography. I thought you might enjoy them as well. So, here's the very first photograph, from 1826! The photo is by a Frenchman, with the wonderful name of Joseph Nicéphore Niépce. It's an amazing image, capturing the view outside … Continue reading Some Firsts

Three Stops from the City to the Suburbs

One of my favorite things to experience from great albums is a sense of place.  Sometimes it’s over-the-top and therefore a failure (I’m apparently in the minority, but I just can’t get into Exile on Main Street). Sometimes it’s more subtle, but therefore more compelling.  Every time I’m in London, The Clash’s London Calling or … Continue reading Three Stops from the City to the Suburbs

More Handwringing about the Value of Philosophy

Via Leiter Reports, I checked out a recent NYT feature called 'Room for Debate'  (http://www.nytimes.com/roomfordebate/2010/8/19/x-phis-new-take-on-old-problems) in which smart people weigh-in on questions of general interest/social importance.  In the latest installment, six eminent philosophers (one, I hate to admit, younger than me) offer responses to this question: Do experimental methods offer new horizons for philosophy departments, … Continue reading More Handwringing about the Value of Philosophy