[This is the final part of a longer series – previous track - "Thieves in the Night"] https://www.youtube.com/embed/DZ7dlo3PWhk Reaching the end of these posts I'm brought back to the beginning, the first time I listened to Mos Def and Talib Kweli are Black Star. I got to "Twice Inna Lifetime", about 4.5 miles into the 5 mile … Continue reading Twice Inna Lifetime (Track 13) and Conclusions about Teaching
Tag: black-star
Thieves in the Night (Track 12)
[This is part 12 of a longer series – previous track - "Respiration" - next track - "Twice Inna Lifetime"] https://www.youtube.com/embed/JW4Tm5wWW34 In his memoir, Talib Kweli reports that Mos Def was not a fan of this one at first - he thought it was too slow and too many words. But for me, this was, on the … Continue reading Thieves in the Night (Track 12)
Respiration (Track 11)
[This is part 11 of a longer series – previous track - "Yo Yeah" - next track - "Thieves in the Night"] https://www.youtube.com/embed/eeTnog5RRQo This song is massive and complex - there's no way around that - but it's also catchy and engaging. I fear my analysis of it below doesn't live up to that, but really good … Continue reading Respiration (Track 11)
Yo Yeah (track 10)
[This is part 10 of a longer series – previous track - "Player Haters" - next track - "Respiration"] https://www.youtube.com/embed/DMwjOePe8eE This is a mysteriously beautiful interlude - a look into that “synaptic space” from last time - that in some way is the hinge that holds the album together through an ambient night-time streetscape. As the last … Continue reading Yo Yeah (track 10)
Hater Players (Track 9)
[This is part 9 of a longer series – previous track - "KOS (Determination)" - next track - "Yo Yeah"] https://www.youtube.com/embed/3iewg3zp-yI This song seems to come pretty hard at the same folks that “Re-Definition” was going after but a little more in the vernacular of a more straightforward diss track. About halfway through, though, we get this … Continue reading Hater Players (Track 9)
K.O.S. (Determination) (track 8)
[This is part 8 of a longer series – previous track - "B Boys Will Be Boys" - next track - "Hater Players"] https://www.youtube.com/embed/kETkgRNSVzk One of the great programmatic statements of the album begins this track, after a side conversation - So many MC’s focus in on Black people exterminationwe keep it balanced with that knowledge of … Continue reading K.O.S. (Determination) (track 8)
“B Boys Will Be Boys” (Track 7)
[This is part 7 of a longer series – previous track - "Brown-Skinned Lady" - next track - "KOS (Determination")] https://www.youtube.com/embed/2YVrdLEeKMU As one catalog ends - from the end of "Brown-Skinned Lady," calling in the great circle of “indigenous women of the planet earth,” another more local (and masculine) one begins, as Mos Def and Talib Kweli … Continue reading “B Boys Will Be Boys” (Track 7)
“Brown-Skinned Lady” (Track 6)
[This is part 6 of a longer series – previous track - "Children's Story" - next track - "B Boys will Be Boys"] https://www.youtube.com/embed/XPcdO9CFhWI "Brown-Skinned Lady" is both an ordinary love song and also a deeply intellectual engagement with intersectional feminism. And just like with "Re:Definition," I'm approaching these contexts with humility, as they get to some of … Continue reading “Brown-Skinned Lady” (Track 6)
“Children’s Story” (Track 5)
[This is part 5 of a longer series – previous track - "Re:Definition" - next track - "Brown-Skinned Lady"] https://www.youtube.com/embed/2CagQFPm3JY The opening four tracks of Mos Def and Talib Kweli are Black Star feel like they form a kind of opening act. The fifth song on the album, "Children's Story," a cover (sort of) of Slick Rick's song … Continue reading “Children’s Story” (Track 5)
Re:Definition (Track 4)
[This is part 4 of a longer series – previous track - "Definition" - next track - "Children's Story"] https://www.youtube.com/embed/fr6SrRQnZv4 "Definition" (youtube/spotify) and "Re:Definition" (youtube/spotify) roll together like one continuous track, but also like 2 mirror images: "Definition" is joyful and celebratory; "Re:Definition" is "turnin' your play into a tragedy." The key change (and subtle downshift in rhythm) … Continue reading Re:Definition (Track 4)