K.O.S. (Determination) (track 8)

[This is part 8 of a longer series – previous track - "B Boys Will Be Boys" - next track - "Hater Players"] https://www.youtube.com/embed/kETkgRNSVzk One of the great programmatic statements of the album begins this track, after a side conversation - So many MC’s focus in on Black people exterminationwe keep it balanced with that knowledge of … Continue reading K.O.S. (Determination) (track 8)

“Brown-Skinned Lady” (Track 6)

[This is part 6 of a longer series – previous track - "Children's Story" - next track - "B Boys will Be Boys"] https://www.youtube.com/embed/XPcdO9CFhWI "Brown-Skinned Lady" is both an ordinary love song and also a deeply intellectual engagement with intersectional feminism. And just like with "Re:Definition," I'm approaching these contexts with humility, as they get to some of … Continue reading “Brown-Skinned Lady” (Track 6)

“Children’s Story” (Track 5)

[This is part 5 of a longer series – previous track - "Re:Definition" - next track - "Brown-Skinned Lady"] https://www.youtube.com/embed/2CagQFPm3JY The opening four tracks of Mos Def and Talib Kweli are Black Star feel like they form a kind of opening act. The fifth song on the album, "Children's Story," a cover (sort of) of Slick Rick's song … Continue reading “Children’s Story” (Track 5)

Re:Definition (Track 4)

[This is part 4 of a longer series – previous track - "Definition" - next track - "Children's Story"] https://www.youtube.com/embed/fr6SrRQnZv4 "Definition" (youtube/spotify) and "Re:Definition" (youtube/spotify) roll together like one continuous track, but also like 2 mirror images: "Definition" is joyful and celebratory; "Re:Definition" is "turnin' your play into a tragedy." The key change (and subtle downshift in rhythm) … Continue reading Re:Definition (Track 4)

Astronomy (8th Light) (track 2)

[This is part 2 of a longer series – previous post “Interlude” - previous track - "Introduction" - next track - "Definition"] That's what hip-hop is: It's sociology and English put to a beat, you know. Talib Kweli Now fast forward to post-post-pandemic 2023, and Malachi, a student (all the names are changed) exasperated, looks at me after … Continue reading Astronomy (8th Light) (track 2)

Track 1 of Mos Def and Talib Kweli are Black Star – “Intro”

[This is part 1 of a longer series – next post “Interlude” - next track - "Astronomy (8th Light)"] “We know that we know how to make some music and that music ain't supposed to stand still…” Mos Def and Talib Kweli, “Intro” “I found my only chance for life was in flight.” Narrative of the Life of … Continue reading Track 1 of Mos Def and Talib Kweli are Black Star – “Intro”

The Last Glenn Gould Records – Beethoven, Scarlatti, CPE Bach, Gould, Scriabin, Haydn, JS Bach, Brahms, Strauss

These weren't the last recordings Gould planned; they weren't meant as some sort of departing "testament" to the world.  Gould's death, though predictable in hindsight, wasn't something he had planned for or desired (at least not consciously).  These last seven recordings just happen to be the final ones he made before dying. #56 - Beethoven Piano … Continue reading The Last Glenn Gould Records – Beethoven, Scarlatti, CPE Bach, Gould, Scriabin, Haydn, JS Bach, Brahms, Strauss

Gould Records 50-55 – Bach, Hindemith, Sibelius

Gould's frequent protestations in interviews notwithstanding, he really was a Bach specialist, so far as I can tell.  It's strange that when asked about his favorite composer, he usually answered Orlando Gibbon, of whose music he recorded something like 12-20 minutes.  There are hours upon hours of Bach.  And if you want to put in … Continue reading Gould Records 50-55 – Bach, Hindemith, Sibelius